Conscious Dance Practices/Authentic Movement/zu: Difference between revisions

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I-'''Authentic Movement''' iwumkhuba wokunyakaza okucabangayo ogxile ekuqwashiseni okubonakalayo, ukulalela kwangaphakathi, kanye nokufakaza okuhlobene. Ibonakala ngokunyakaza okuzenzakalelayo okuvela ekushukumiseni kwangaphakathi, okwenziwa ngaphakathi kwesitsha esichazwe ngokucacile esihlanganisa izindima '''zomshukumisi''' kanye '''nofakazi'''.
I-'''Authentic Movement''' iwumkhuba wokunyakaza okucabangayo ogxile ekuqwashiseni okubonakalayo, ukulalela kwangaphakathi, kanye nokufakaza okuhlobene. Ibonakala ngokunyakaza okuzenzakalelayo okuvela ekushukumiseni kwangaphakathi, okwenziwa ngaphakathi kwesitsha esichazwe ngokucacile esihlanganisa izindima '''zomshukumisi''' kanye '''nofakazi'''.


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I-Authentic Movement isetshenziswa emhlabeni wonke ezimweni zokwelapha, zemfundo, zobuciko, kanye nezokuzindla. Ivame ukuchazwa njengomkhakha kunokuba uhlobo lomdanso, kugcizelelwa ukuqwashisa, ukuba khona, kanye nokwenza incazelo ngaphezu kokusebenza noma umphumela wobuhle.
Authentic Movement is practiced internationally in therapeutic, educational, artistic, and contemplative contexts. It is often described as a discipline rather than a dance form, emphasising awareness, presence, and meaning-making over performance or aesthetic outcome.
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== Imvelaphi ==
== Origins ==
Authentic Movement yavela maphakathi nekhulu lama-20 ngomsebenzi ka-''Mary Starks Whitehouse''', umdansi kanye nomhlaziyi weJungian. I-Whitehouse yasebenzisa ithonya lomdanso wesimanje, i-depth psychology, kanye nomcabango osebenzayo, yakha umkhuba oxhumanisa izinto ezingazi lutho, ukunyakaza, kanye nokuqwashisa okuqaphelayo.
Authentic Movement emerged in the mid-20th century through the work of '''Mary Starks Whitehouse''', a dancer and Jungian analyst. Whitehouse drew on influences from modern dance, depth psychology, and active imagination, developing a practice that linked unconscious material, movement, and conscious awareness.
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Umsebenzi wakhe wathuthukiswa futhi wadluliselwa ngabasebenza kamuva, okuhlanganisa no-''Janet Adler''', owachaza i-Authentic Movement njengomkhakha osemthethweni onezisekelo zokuziphatha, ulimi olucacile, kanye nezindlela zokuqeqesha zesikhathi eside.
Her work was further developed and transmitted by later practitioners, including '''Janet Adler''', who articulated Authentic Movement as a formal discipline with ethical foundations, clear language, and long-term training pathways.
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== Izimiso eziyinhloko ==
== Core principles ==
Authentic Movement isekelwe ezimisweni eziningana eziyinhloko:
Authentic Movement is grounded in several core principles:
* '''Inner impact''' — ukunyakaza kuvela ekuzizweni, esithombeni, emizwa, noma ekuzizweni okubonwa ngaphakathi.
* '''Inner impulse''' — movement arises from sensation, image, emotion, or impulse perceived internally.
* '''Ubukhona''' — ukunaka okuqhubekayo kokuhlangenwe nakho okuphilayo ngaleso sikhathi.
* '''Presence''' — sustained attention to lived experience in the moment.
* '''Ukufakaza''' — ukuba khona okungahluleli, okwamukelayo okubuka ukunyakaza ngaphandle kokuchazwa.
* '''Witnessing''' — a non-judgemental, receptive presence that observes movement without interpretation.
* '''Ukwehluka''' — ukuhlakulela ukuqwashisa ngemingcele phakathi komuntu siqu nabanye, umshukumisi kanye nofakazi.
* '''Differentiation''' — cultivating awareness of boundaries between self and other, mover and witness.
* '''Ukuhlanganiswa''' — ukucabanga ngokuhlangenwe nakho ngolimi kanye nencazelo ngemva kokunyakaza.
* '''Integration''' — reflecting on experience through language and meaning after movement.
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Lo mkhuba ubeka phambili ulwazi oluqondile kanye nokuzindla kunokufundisa noma ubuchwepheshe.
The practice prioritises direct experience and reflection over instruction or technique.
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Revision as of 08:09, 15 February 2026


I-Authentic Movement iwumkhuba wokunyakaza okucabangayo ogxile ekuqwashiseni okubonakalayo, ukulalela kwangaphakathi, kanye nokufakaza okuhlobene. Ibonakala ngokunyakaza okuzenzakalelayo okuvela ekushukumiseni kwangaphakathi, okwenziwa ngaphakathi kwesitsha esichazwe ngokucacile esihlanganisa izindima zomshukumisi kanye nofakazi.

I-Authentic Movement isetshenziswa emhlabeni wonke ezimweni zokwelapha, zemfundo, zobuciko, kanye nezokuzindla. Ivame ukuchazwa njengomkhakha kunokuba uhlobo lomdanso, kugcizelelwa ukuqwashisa, ukuba khona, kanye nokwenza incazelo ngaphezu kokusebenza noma umphumela wobuhle.

Imvelaphi

Authentic Movement yavela maphakathi nekhulu lama-20 ngomsebenzi ka-Mary Starks Whitehouse', umdansi kanye nomhlaziyi weJungian. I-Whitehouse yasebenzisa ithonya lomdanso wesimanje, i-depth psychology, kanye nomcabango osebenzayo, yakha umkhuba oxhumanisa izinto ezingazi lutho, ukunyakaza, kanye nokuqwashisa okuqaphelayo.

Umsebenzi wakhe wathuthukiswa futhi wadluliselwa ngabasebenza kamuva, okuhlanganisa no-Janet Adler', owachaza i-Authentic Movement njengomkhakha osemthethweni onezisekelo zokuziphatha, ulimi olucacile, kanye nezindlela zokuqeqesha zesikhathi eside.

Izimiso eziyinhloko

Authentic Movement isekelwe ezimisweni eziningana eziyinhloko:

  • Inner impact — ukunyakaza kuvela ekuzizweni, esithombeni, emizwa, noma ekuzizweni okubonwa ngaphakathi.
  • Ubukhona — ukunaka okuqhubekayo kokuhlangenwe nakho okuphilayo ngaleso sikhathi.
  • Ukufakaza — ukuba khona okungahluleli, okwamukelayo okubuka ukunyakaza ngaphandle kokuchazwa.
  • Ukwehluka — ukuhlakulela ukuqwashisa ngemingcele phakathi komuntu siqu nabanye, umshukumisi kanye nofakazi.
  • Ukuhlanganiswa — ukucabanga ngokuhlangenwe nakho ngolimi kanye nencazelo ngemva kokunyakaza.

Lo mkhuba ubeka phambili ulwazi oluqondile kanye nokuzindla kunokufundisa noma ubuchwepheshe.

Practice

A typical Authentic Movement session involves:

  • one or more movers who close their eyes and follow internal impulses into movement,
  • one or more witnesses who maintain a grounded, attentive presence,
  • a period of verbal reflection following the movement phase.

Movers do not plan or choreograph movement. Instead, they attend to bodily sensations, emotions, memories, and imagery as they arise. Witnesses observe with restraint, cultivating awareness of their own responses while refraining from interpretation or intervention.

Sessions may be practiced one-to-one, in small groups, or within long-term practice groups.

The role of the witness

The role of the witness is central to Authentic Movement. Witnessing involves:

  • tracking the mover without judgement,
  • maintaining awareness of one’s own sensations and projections,
  • supporting safety, containment, and clarity of the practice space.

Over time, practitioners may develop the capacity to witness both others and themselves simultaneously, sometimes described as the inner witness.

Language and reflection

Following movement, participants often engage in spoken reflection. Language is used carefully and intentionally, typically emphasising:

  • first-person statements,
  • descriptions of direct experience,
  • differentiation between observation, feeling, and interpretation.

This reflective phase supports integration of embodied experience into conscious awareness.

Training and transmission

Authentic Movement is transmitted through long-term study rather than standardised certification. Training pathways may include:

  • sustained personal practice,
  • supervised practice groups,
  • mentorship and apprenticeship,
  • study of ethics, boundaries, and psychological awareness.

Some organisations and teachers describe Authentic Movement explicitly as a discipline, emphasising responsibility, containment, and ethical clarity.

Applications

Authentic Movement is used in a range of contexts, including:

  • psychotherapy and counselling,
  • dance and movement education,
  • somatic and expressive arts practice,
  • contemplative and spiritual inquiry,
  • creative and performance research.

Relationship to conscious dance

Authentic Movement is closely related to the conscious dance field through its emphasis on awareness, embodiment, and non-judgement. It differs from many conscious dance practices in its minimal use of music, absence of group dance structures, and strong focus on witnessing and reflection.

It has significantly influenced later movement meditation practices, somatic psychology, and embodied contemplative disciplines.

External links