Authentic Movement
I-Authentic Movement iwumkhuba wokunyakaza okucabangayo ogxile ekuqwashiseni okubonakalayo, ukulalela kwangaphakathi, kanye nokufakaza okuhlobene. Ibonakala ngokunyakaza okuzenzakalelayo okuvela ekushukumiseni kwangaphakathi, okwenziwa ngaphakathi kwesitsha esichazwe ngokucacile esihlanganisa izindima zomshukumisi kanye nofakazi.
I-Authentic Movement isetshenziswa emhlabeni wonke ezimweni zokwelapha, zemfundo, zobuciko, kanye nezokuzindla. Ivame ukuchazwa njengomkhakha kunokuba uhlobo lomdanso, kugcizelelwa ukuqwashisa, ukuba khona, kanye nokwenza incazelo ngaphezu kokusebenza noma umphumela wobuhle.
Imvelaphi
Authentic Movement yavela maphakathi nekhulu lama-20 ngomsebenzi ka-Mary Starks Whitehouse', umdansi kanye nomhlaziyi weJungian. I-Whitehouse yasebenzisa ithonya lomdanso wesimanje, i-depth psychology, kanye nomcabango osebenzayo, yakha umkhuba oxhumanisa izinto ezingazi lutho, ukunyakaza, kanye nokuqwashisa okuqaphelayo.
Umsebenzi wakhe wathuthukiswa futhi wadluliselwa ngabasebenza kamuva, okuhlanganisa no-Janet Adler', owachaza i-Authentic Movement njengomkhakha osemthethweni onezisekelo zokuziphatha, ulimi olucacile, kanye nezindlela zokuqeqesha zesikhathi eside.
Izimiso eziyinhloko
Authentic Movement isekelwe ezimisweni eziningana eziyinhloko:
- Inner impact — ukunyakaza kuvela ekuzizweni, esithombeni, emizwa, noma ekuzizweni okubonwa ngaphakathi.
- Ubukhona — ukunaka okuqhubekayo kokuhlangenwe nakho okuphilayo ngaleso sikhathi.
- Ukufakaza — ukuba khona okungahluleli, okwamukelayo okubuka ukunyakaza ngaphandle kokuchazwa.
- Ukwehluka — ukuhlakulela ukuqwashisa ngemingcele phakathi komuntu siqu nabanye, umshukumisi kanye nofakazi.
- Ukuhlanganiswa — ukucabanga ngokuhlangenwe nakho ngolimi kanye nencazelo ngemva kokunyakaza.
Lo mkhuba ubeka phambili ulwazi oluqondile kanye nokuzindla kunokufundisa noma ubuchwepheshe.
Practice
A typical Authentic Movement session involves:
- one or more movers who close their eyes and follow internal impulses into movement,
- one or more witnesses who maintain a grounded, attentive presence,
- a period of verbal reflection following the movement phase.
Movers do not plan or choreograph movement. Instead, they attend to bodily sensations, emotions, memories, and imagery as they arise. Witnesses observe with restraint, cultivating awareness of their own responses while refraining from interpretation or intervention.
Sessions may be practiced one-to-one, in small groups, or within long-term practice groups.
The role of the witness
The role of the witness is central to Authentic Movement. Witnessing involves:
- tracking the mover without judgement,
- maintaining awareness of one’s own sensations and projections,
- supporting safety, containment, and clarity of the practice space.
Over time, practitioners may develop the capacity to witness both others and themselves simultaneously, sometimes described as the inner witness.
Language and reflection
Following movement, participants often engage in spoken reflection. Language is used carefully and intentionally, typically emphasising:
- first-person statements,
- descriptions of direct experience,
- differentiation between observation, feeling, and interpretation.
This reflective phase supports integration of embodied experience into conscious awareness.
Training and transmission
Authentic Movement is transmitted through long-term study rather than standardised certification. Training pathways may include:
- sustained personal practice,
- supervised practice groups,
- mentorship and apprenticeship,
- study of ethics, boundaries, and psychological awareness.
Some organisations and teachers describe Authentic Movement explicitly as a discipline, emphasising responsibility, containment, and ethical clarity.
Applications
Authentic Movement is used in a range of contexts, including:
- psychotherapy and counselling,
- dance and movement education,
- somatic and expressive arts practice,
- contemplative and spiritual inquiry,
- creative and performance research.
Relationship to conscious dance
Authentic Movement is closely related to the conscious dance field through its emphasis on awareness, embodiment, and non-judgement. It differs from many conscious dance practices in its minimal use of music, absence of group dance structures, and strong focus on witnessing and reflection.
It has significantly influenced later movement meditation practices, somatic psychology, and embodied contemplative disciplines.
External links
- Discipline of Authentic Movement: https://disciplineofauthenticmovement.com/